Christmas rush!

I just finished two small paintings for a lovely client who wished to create the perfect gifts for her two children:  table top original portraits of their two dogs. Each child chose a puppy fourteen years ago. They are now gray in the muzzle and a little slower, but otherwise healthy. The children, both in college, miss their pups. I spent a few hours one afternoon, photographing and getting to know the dogs, while also learning about the family and the mom. The photographs and expressions were chosen by her. We wished to capture each dog's personality in a tiny 5x7 head shot. This is not an easy task. In fact, a lot can be lost in one small tick of the pencil. I struggled with these. There was concern that the dog Ed, looking at the viewer and pleading to be petted, might appear to be giving dominant eye contact.  Thanks to my husband's suggestion, a  touch of dark to the eyebrow made the difference in the perceived expression. The other dog, Lucy held a strange pose which finally necessitated the inclusion of parts of her foreleg; otherwise her head would have seemed tipped over.

I decided to use colored linen mat as the surface to give these a painterly feel. Lucy, who is mostly black, is painted on a dark blue mat and Ed, who has a lot of browns and reds, is on a red mat. Using  colored mat board, even if  completely covered with pigment, is similar to an under paint wash and provides tone.

When my client finally saw the finished pieces she was completely satisfied. This is a blessing, because I never know what a client will think until they have the art in hand. Now I can relax for a bit and paint something new, something BIGGER.

Bragging rights

I'm tipping the proverbial "hat" to myself. The past few months have been quite successful: My painting "Waiting" was selected to be in Ann Kullberg's e-book Hidden Treasures. This same painting, which earned  CPSA Signature Status for me by being my third acceptance into the CPSA International Exhibition within ten years, was also purchased at a recent art fair and was my biggest sale to date. And let's be honest,  sales make the rest possible. For those of you interested, I am in the process of having the image printed in giclee form to be sold in my shop soon.  READ ON

My painting "Who Rescued Whom" was published in Strokes of Genius 6, by Rachel R. Wolf, Northlight Books, hitting the bookstore shelves as we speak.

My painting "Departing" earned second place at the CPSA District Chapter 119 exhibition, showing now until the end of the month at The Clifton Cultural Arts Center in Clifton Oh.

That's it for now, but there is always room for more.

Departing

"Departing," 18.5 x 25" various lightfast colored pencils mixed with solvents on 4 ply mat board.  The reference is from a series of photos I took as my 25 year old daughter prepared to board her plane to California.  The painting is about leave taking and letting go.  I may have gone a little crazy with all the details, right down to the turtle charm bracelet, which she has had since she was small enough to collect everything turtle, the safari bag she found in my closet, her high school back pack and the thrift store suitcase. I include these things because they are necessary to create an accurate portrayal of this cunning, free-spirited artistic person, whom I love beyond measure, in her moment.

Art Business

 The hardest thing about being a professional artist is sales. If it isn't a custom order, what sells?  Does every successful artist consider this when deciding on a subject to paint?   After spending the first few years establishing my reputation, should I stick to what works? Should I, in essence, brand myself ?  The collector needs to be comforted by a certain predictability, right?  He/she needs to "know" me a little before forking over $1000.00. But as an artist how do I continue to be stimulated?  I can't do the same thing over and over without becoming stale. How do I explore and challenge myself  if I don't step off the path?  I guess it has more to do with business plan and intent. Am I an artist who equates success with income or peer accolades or self fulfillment? The answer is a little of all three.  Of course I would love to get paid for doing something well.  Who wouldn't?  But, that is not my first goal.  Right now, I wish to create meaningful, well executed images that resonate with one or two (OK, let's be honest here, many) viewers. My style is emerging on its own and continues to evolve.  Who knows what it will look like in 10 years.  I don't feel I have time to fool around with what sells at this point in my life. There's too much to learn. I  hope that along the way, someone likes my art enough to buy it.  So much for a business plan. I really don't have one.  I just do the art, show it and enter as many competitions as I can afford. When I actually sell something it's fantastic! Go ahead, say what's on your mind."Don't quit your day job," right?

Workshops start in 2014

I'm thinking about the color pencil workshops I will start teaching next year. The intricacies of creating shadow will have to wait.  My workshops will begin at the beginning: Basic principles of colored pencil portraits like composition, layout, photography, palette and color choices, surfaces, blending via burnishing and the use of solvents, brightest whites and building deepest darks. There is so much to teach and much to learn about teaching. Wish me luck. For information contact Row House Gallery, 211 Main St., Milford OH, 513-831-7230 rowhousegallery@aol.com

 

 

 

Can we talk?

Can we talk?  Where are my clients this year?  Now that I am so much better and should command higher prices, I see fewer inquiries. I am currently running a sale which reduces my base price by $65.00.  This is drawing more browsers to my website, but so far no takers. The recession has changed many things. People don't see the value in original art work.  Potential clients grasp every dollar as if it is their last.  I understand this better than anyone.  (Another story for another time.) I'm less and less willing to go through my pricing and commission process. The attitude is that I can work miracles out of bad photos in last minute conditions. And that I should do it cheaper and cheaper! Where is the respect? Would you ask your plumber to work for minimum wage? Reproduction art is cheaper.  I have no problem with selling art prints, if they will sell.  The sad part is that the viewer will not have the same experience with reproduction art as they will with the original.  In the original, if you look closely, you will see tick marks, brush strokes, eraser marks, wipe downs- the back and forth of the creator's process. Though the print might catch the marks, it can't record the grit, the digs, the sweat left behind by hours of work. A good reproduction print on heavy rag paper, using light fast inks, is a beautiful thing in itself.  It is in essence the cleaned up version of the original.  But to own the original!  Now that is like owning a piece of magic. For enclosed in that border of wood, encased under the sheet of glass, is a piece of human experience perhaps even genius. So much more than a print!

Working in a gallery and frame shop I see clients who are more than happy to drop hundreds of dollars on framing, but walk right by the original art.  Even our top sellers, who show at multiple galleries are complaining about the lack of sales.  What gives?  I am itching to use my abilities, but find myself working on my own stuff.  It's fun, but I can't live off it.

Accepted into book STROKES OF GENIUS, Northlight Books, F&W Publishing

Thursday I arrived home from a long day at the Vet hospital where I work as a vet assistant to good news.  As is my routine, I checked my emails and happily came across a notice that one of  my painting "Who rescued Whom?" was one of the 144 pieces chosen from 1500 entries to be published in the 2014 Strokes of Genius by Rachel Wolf- a Northlight, F&W Publications book.

Yes, another cat!

This is a very early work in progress (WIP) of yet another cat.  Using Thomas again.  This should be fun.  My favorite time of year is Halloween. Can you see the broom beginning to emerge? Let's see if I can pull it off. I'm working on 4-ply rag mat- less forgiving than my most recent cats, which were painted on linen mat. I have to be very careful to leave untouched surface for the brightest white.  Keeping those areas pristine is difficult when creating large areas of dark. I use the scoring method, which also has draw backs (oo a pun,  Get it?).  I tried using a liquid mask once, but it was a total bust. Enjoy and be sure to check in from time to time.

Thoughts about social media from a "non joiner."

For many years I have belonged to an artist's FB page.  Today the honeymoon is over.  With all groups,  comes politics. I have spent my life running away from groups, from sorority to PTA.  I do not do well in them.  I skim read  social cues, choosing what I think important and almost always find myself in trouble with someone. I am not very consistent in anything I do, especially when it comes to understanding rules. My intensions are good, but unfortunately in groups, rules are more important than positive input, good energy, insightful discussion. One would think that in a social media forum, one could hide behind the cloak of internet space, that things would not become personal.  Nope. In fact, without context or facial expression, comments on a FB page can become that much more powerful. The writer must be oh so careful!  When words take on their own meaning outside what was intended, there is no catcher's mitt on the internet. So now I am in the position of deciding how much I need the interaction among other artists on a FB page.  Though I made many "friends" there, are they?  Yes, one must be very careful.