Composition, composition, composition!

The question of all questions: What makes good composition? How does one crop, punch color, add or delete elements in order to create a piece of art that will resonate? There are rules to composition, which I rarely think about at first. If a ref photo grabs my attention, there is probably something there worth trying. Later, as I start the project, I will think about rules, where to crop and so forth, but I have to be careful to not sterilize the inspiration right out. That initial reaction, the one that made me stop and look, what was that and how will it translate? Over the years, I've paid attention to how my art is received and learned from that.  What draws the most attention? Rarely do I hear "I love this because it is so well executed."  More often it's "I love that red," or "wow, it looks like a photo (which drives me crazy by the way.  Why would anyone spend 6o hours of her life to simply copy a perfectly good photo?)

To break it down: color,value and a relatable story, are the three main elements to a successful image.  Detail is used to support the theme not drive it. For instance, if you have ever watched the reality t.v. show THE VOICE, how often is the vocal run used to show off vocal ability?  But if it is delivered without conviction and you can't hear the lyrics, it's just noise. In two dimensional art, if one does not manage to draw the viewer in with substance, what use are the details? On the other hand, taking the time and effort to render those details well, honors the idea. Don't skimp.

This is a very long blog entry.  I imagine you are wondering what it has to do with this landscape photo. Simply put, the photo reaches into my soul.  It is beautiful.  The colors are rich, the shapes interesting and there is nice contrast. The message is simple.  It calms me. I want to live in this image, where the only human touch is the evenly mowed field.

Ancient Apple- a portal.

This is an ancient apple tree that arches over a path to the sea. A much appreciated comment, by an amazing cp artist, Julie Podstolski, described the scene as Narnia. That's all she said, "Narnia." Somehow she got my intent. It is said that there is a strong spirit residing in this gnarly sentry. A study for a larger piece I plan for the future, it comes from one of many reference shots taken this summer, on the Maine property of dear friends.  It is painted with Prismacolor and Luminance pencils on linen mat board.

Kevin's View

This little 9x19" piece of Bailey's Island Maine (or near there anyway) was painted from one of hundreds of reference photos taken there this summer.  My husband and I were guests of some dear old  friends. They kindly tolerated my habit of banging through the kitchen, making coffee at the crack of dawn, so I could scramble around their property with the camera. Once they arose at the alarmingly late hour of 10:00 am,  they drove me up and down the coast, combed beaches and took me out on their boat to find Harbor Seals.  I didn't waste one second of my time there. I painted this little gem to fit a skinny gold leaf, antique frame given up by its previous owner. (I'll post a photo of the finished version, once the rest of the materials are in. ) It is fun to use the occasional woopsies and discards. I have a strong need to repurpose stuff. Given a predetermined size, color pallet and style, forces me to change up my routine.  It's an interesting exercise.

Go quickly!

This is a little piece I started Friday and finished today.  It measures 10 x 6.5" and was painted on a silk mat board. Due to texture and reflection it is a little difficult to photograph. This is the best I can do today.  Anyway, the point is, after hours and hours of work on a bigger piece, with no end in sight, I decided to stop for a bit to do something easy and fun.  This is called Roadside.