Artists are poor for a reason!

If you have ever wondered why the real life artists aren't as happy-go-lucky as they are reputed to be, consider the expenses incurred in self promotion.  For instance, did you know that an artist pays a submission fee of $30.00 to $50.00 for every image submitted to a juried show? Did you know that if the piece or pieces are accepted, the artist pays for presentation requirements, shipping and insurance,  to and from said exhibition?  For example, some shows require plexiglass, which is nearly twice as expensive as conservation glass. (Don't even ask about UV blocking Plexi.) I recently sent two pieces to California.  My shipping plus return shipping total was nearly $400.00.  Expenses like these are a calculated risk against a possible sale or the possible lead. How many small businesses take that kind of risk? As I've said numerous times, being an artist is not for the faint of heart.

Colored pencil commission takes a surprising tack.

This is a first!  While working out the composition for a full colored pencil commission , I sent a picture of the pencil sketch to my client.  She immediately shot an email back asking me to "STOP!"  She liked the pencil sketch so much, she wished to buy it as is. Of course I'll "clean" it up a bit before I let it go.  Here's the most recent photo.  I will continue to darken a little here and there and  brighten a highlight or two. The piece started out as a horizontal, but the client wanted  me to show pool water, so now it is square.  Interesting development, wouldn't you agree?

Lucy finished

I used mostly Prismas and Luminance cp's with mineral spirits on 100% rag mat board.  I'm almost sad I darkened the foreground.  It's hard to know what to do once you have taken the plunge.  Even if you photo shop values into the comp during the designing stages, there's the perspective and "reality"aspect.  Would I leave a detailed background and a blank foreground?  Wouldn't that be odd?  My thought was that subtle roughed in details and shadowy earth tones would support the portrait without busying it up too much.  What do you think?

Doberman Pincher WIP

Lucy is coming along.  Her coat colors are a gigantic challenge. I have hundreds of colored pencils rolling around on the drafting table! The use of mineral spirits was crucial. Tweaking will come later. I am going to set this aside for a little while to work on something else.  Plenty left to do, but I'm "Artist blind."

Portrait commission WIP of Lucy the Doberman Pincher

I'm having a little trouble with my rag mat board surface holding up to all the color pencil layers.  One thing I've found: odorless mineral spirits when allowed to over saturate breaks down my surface.  I've since switched back to good old regular mineral spirits, but the damage was already done.  -Came close to starting all over, but was able to dip and dab color where needed. The detailing is just about impossible.  Working fixative allows a little repair.  Otherwise, the piece is coming along. I will never return to odorless mineral spirits.  Thank goodness for windows and fans!

Graphite portraits, powerful and beautiful.

This triptych study of my daughter's cat Linus has had more Facebook shares and likes and pins than I ever imagined.  I did several cp paintings from the series of reference photos taken of Linus two from the graphite study. The graphite triptych sold to an extreme cat lover who set aside money from her limited retirement income for five months.   She was delighted to finally unwrap the framed piece after months of waiting.  As luck would have it,  I was at the gallery to witness the reveal.  It was a great moment for both of us.  Just a simple pencil drawing, but well loved.  These moments are what keep me on track. No matter the medium, if a portrait reaches into someone's heart, it is a success.

Accepted into the 22nd Annual CPSA International Exhibition in Daytona Beach Florida

This is "Waiting"  30x16", Prismacolor, Bruynzeel and Luminance pencils on rag mat board. I'm excited about this folks!  This means I become a CPSA Signature member! Rags, Ginger and Stewie are excited as well: my three beloved rescues who've managed to make it BIG.

Baby Brother

This portrait commission was completed this week.  Baby Brother, 16x14" colored pencils on rag mat board, client reference.  Someday I'll  go into the process of creating newborn coloring.    It was painfully difficult.  All the blending and shadow! The little fingers make this piece come alive, don't you think?

Art Business

 The hardest thing about being a professional artist is sales. If it isn't a custom order, what sells?  Does every successful artist consider this when deciding on a subject to paint?   After spending the first few years establishing my reputation, should I stick to what works? Should I, in essence, brand myself ?  The collector needs to be comforted by a certain predictability, right?  He/she needs to "know" me a little before forking over $1000.00. But as an artist how do I continue to be stimulated?  I can't do the same thing over and over without becoming stale. How do I explore and challenge myself  if I don't step off the path?  I guess it has more to do with business plan and intent. Am I an artist who equates success with income or peer accolades or self fulfillment? The answer is a little of all three.  Of course I would love to get paid for doing something well.  Who wouldn't?  But, that is not my first goal.  Right now, I wish to create meaningful, well executed images that resonate with one or two (OK, let's be honest here, many) viewers. My style is emerging on its own and continues to evolve.  Who knows what it will look like in 10 years.  I don't feel I have time to fool around with what sells at this point in my life. There's too much to learn. I  hope that along the way, someone likes my art enough to buy it.  So much for a business plan. I really don't have one.  I just do the art, show it and enter as many competitions as I can afford. When I actually sell something it's fantastic! Go ahead, say what's on your mind."Don't quit your day job," right?